Hello everyone, I am a patternmaker of 30 plus years, theatrical men’s wear cutter and tailor, new to using software like this. I am trying to expand my horizons, trying new things and a search for pattern making software and a comment from Luca on the Cutter and Tailor site brought me here. If I can answer specific traditional patternmaking type questions I will try. I appreciate the work that has gone into developing this.
Welcome @Ttailor! We’d definitely love to have your input on pattern cutting!
Please feel free to ask us about how to render any of those effects in Seamly!
Welcome to a kindred spirit.
I too have been in theatre for 40+ years, and have co-owned and operated a costume shop in Buffalo NY for what will be 40 years in 2 months. Besides all the usual show rentals, we now specialize in period mens clothing… which is where my pattern making / cutting skills are put to use.
Please feel free to offer any suggestions here for the app development as I’m interested in hearing from someone in the same field as myself.
Thanks, Hello to a fellow costumer! I am out of work atm, unless I go over to the film and tv side of things, which means living in Toronto during the week. We shall see how long I can hold out! Anyway I do have a blog, that I have been getting back to, again just to keep myself occupied and engaged at this time.
I am finding that it takes some getting used to working on the computer. its a different beast for sure and I realize that it cannot function in the same way as manual drafting, much as I wish it could. I intend to spend a bit more time wrangling the function of it before I start asking what might be obvious questions The blog is herehttps://atailormadeit.blogspot.com/if you are interested in taking a look. Cheers
Hi @Ttailor! I am not a pro like you or @Douglas, but I did costumes for high school and community theater. Also I was Costume Track Director for a steampunk convention in Atlanta for several years. We developed this program for costume designers like you!!!
I’m curious whether, if Seamly were to be optimized for touch-screen use, it would be closer to the manual drafting experience? Or would a table-size screen help more?
Also, I only recently discovered that there’s a difference between Costuming & Halloween costumes, & regret not doing more to pursue it when I had a decent opportunity.
Different for sure. And Seamly2D being even more different than other commercial CAD systems like Optitex or Symmetry - 2 systems we have used at my shop. The difference being that with Seamly2D you’re able to draft a pattern, vs digitizing an existing pattern - then using standard grading practices. I found the Seamly2D app when I was looking for a way to draft period patterns from old books like the Men’s Blue Book. Thing is right now I can draft a pattern on paper quicker… that’s why I started to work on the program to speed up the work flow to make it more usuable in my shop.
So yes, feel free to ask questions or provide feedback of any suggestions.
I don’t think I have enough experience with the drafting on screen to be able to say. I think at this early stage of me learning the software capabilities, it is more about changing my mind and shifting a point here or there. The ease of closing out a dart to correct the run of a line, then returning the dart to its open position, and the ability to quickly put two sections together to check the smooth run of a seam. I might look at what I have on paper, and decided to redraw the lapel which takes moments on paper but isn’t as quick with a “system”. I think a computer system is easier when following some rule but it will take some trial and error in areas where I am used to free handing lines because I think they look good by eye.
Hey @Ttailor, Take a look at Elizabeth Friendship’s or R.I.Davis’ books. They translate easily to Seamly2D drafting. We created Seamly2D specifically to follow their simple “from pointA do X with measurement Y” instructions. And also to enable patternmakers to reuse their previous work so that they don’t have to redo their work for each client (or actor).
I completely understand. It’s quite easy to change things with an eraser and pencil. Where having a pattern on the computer is invaluable - especially given Seamly2D’s parametric behavior- is once you have a pattern drafted you can instantly create that pattern to measure. To me it’s an investment of time up front, hoping there’s a payoff in the future. Right now the only patterns I’ve really done in Seamly2D are ones I use all the time. Plus I’m sure you’re use to theater deadlines where you simply might not have the luxury of time to draft on the computer, and have to do it the old way with pencil and paper.